
Stick Desk Light - 2006
There's no doubt about it.  Nick Rennie is an over-achiever.  He graduated from Industrial Design at RMIT in 1998, showed his work at the Milan Furniture fair for the first time in 2000, and since then has consistently shown his work internationally, and forged relationships with some of the major names in furniture and product design all over the world.   He was included in the '
Freestyle' Australian design exhibition that toured Australia last year, and he's certainly no stranger to the press - his successes in the international market have been highly publicised, probably because this is a hurdle that so many talented Aussie designers just don't seem to crack.
Nick's introduction to the international design world was propelled initially through his association with 
The Melbourne Movement - a group of young designers working under the tutorage of 
Kjell Grant, head of furniture design at RMIT.  It was his association with The Melbourne Movement that made it possible for Nick to show his work in Milan in 2000 and 2001.  In 2002 Nick set up his own design firm - 
Happy Finish Design, and exhibited solo for the first time.
He's still based in Melbourne, and despite his overwhelming achievements, he's consistently described as an unaffected, down-to-earth, laid back guy.    Despite being in the throes of preparing for the Milan Furniture Fair in April, Nick was really receptive to my request for this interview and I appreciate it!  Here Nick shares his creative inspirations, and gives a fantastic insight into the challenges Australian designers face on the international stage.  Thanks Nick!

Butterfly wall sconce - 2007

Dimple Cup and Bottle - 2006

Mori Shelving - 2006
  
  Tell me a little about your background - what did you  study and what path led you to what you’re doing  now?
   
  I studied Industrial Design at RMIT, but realised early  on that product and car design weren’t really my strong points, and that  furniture and lighting was what I was meant to do.
  
   
One of your most documented achievements has been your  success in creating relationships with international companies from very early  on in your career.  How were you  able to exhibit at Milan in your graduating year?  How would you say this singular event  has propelled your business?
   
  Under the guidance of Kjell Grant (head of furniture  design at RMIT) I travelled to Milan in 2000 and again in 2001 for group  showings, firstly with an RMIT exhibit and in 2001 with the Melbourne  movement - a group showing of young  designers curated by Kjell Grant.   These experiences led me to see that for what I do this was the place to  be and gain the best exposure I had to continue down this path.  In 2002 I showed internationally for the  first time as Happy Finish design.
   
Have you ever felt disadvantaged in the global market  because you’re based in Australia? How do you overcome this distance?
  
   
  Without question...  The distance and timezones are a huge  disadvantage, but you have to look past that and see the up side.  Australian design is now starting to  gather an international reputation for being fresh in their approach to  design.  When I first went to Europe  the only designer they knew was Marc Newson, now there is a core group of  designers pushing the boundaries of Australian design and the attitude is slowly  changing.
   
    From the outset, you chose to start your own business  rather than work for someone else.   What informed this decision, and has it worked well for you?  Would you recommend this approach to  emerging designers?
   
  I wouldn’t say this is the best method, purely for  financial reasons, but it’s a great way to learn your strength and  weaknesses.  For me I think it is  beginning to work out well.  You  have to be incredibly motivated and not knowing when the next pay cheque will  arrive is a real strain.  Its not  like you get up, go to work, come home and switch off.  If something needs to be done, there’s  no one else to do it.  After saying  that though, its great because all your ideas are yours and don’t belong to  someone else.
   
    Are there any particular designers, artists or creative  people you look up to or are inspired by?
   
    Locally I am inspired by fellow designers travelling the  path I am on.  In particular Helen  Kontouris and Simone LeAmon.  Other  local creatives include director Michael Gracey, writer Nick Lord, both of whom  have been integral in allowing me to follow my  dreams.
Internationally I am inspired by the work of Jasper  Morrison, Konstantin Grcic, Naoto Fukasawa, Sam Hecht and my Japanese friends  FAT.  Jin Kuramoto and Yusuke  Seki.
   
    What does a typical day at work involve for  you?
   
  Anything from five to twenty hours of work seven days a  week.
   
    What are you most proud of  professionally?
   
  The fact that I have been able to stick with it.  At times its not much fun, but then you  realise why your doing it and it gets you through.  Its taken 8 years of hard work, making a  loss or just breaking even, but now its looking promising.  But after saying that the real work is  only just beginning.
   
    Where do you find  inspiration?
   
  Through watching people interact.  I like to try and infuse emotion into my  designs.  Jumping in puddles as a  child, or kicking mushrooms over.   These types of experiences.
     
  What's the best thing about your  job?
   
  You live your dream every  day.
   
    And the worst?
   
  Where do I start!   Not having a regular income would be the main one I  guess.
   
    What would be your dream  project?
   
  Something where you get paid up front and not wait three  months for when and if the royalties to kick  in.
   
    Where do you see yourself professionally in 5 years  time?
   
  Hopefully still doing what I love.  Spending time both here and  overseas.
   
    What are you looking forward to – professionally or  personally?
 
   
  The launch of one of my designs in Milan this  year.
   
    Melbourne Questions –
 
  What/where was the last great meal you ate in  Melbourne?
   
  You can never go past a late night souvlaki at ‘lambs’  on Malvern road Prahran
   
    Your favourite furniture/homewares retailer in  Melbourne?
   
  For supporting the local scene it has to be ‘Tongue and  Groove interiors’ at 85 Smith st Collingwood
   
    Where would we find you on a typical Saturday  morning?
   
  Sound asleep in bed until around  lunchtime
   
  Melbourne’s best kept  secret?
   
  Greg and Steve from ‘Rhythm and Soul’ records on  Greville st Prahran