Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Friday, June 11, 2010

Interview - Hamish Guthrie of Hecker Phelan & Guthrie

Bistro Guillaume, designed by Melbourne firm Hecker Phelan & Guthrie, Photo by Earl Carter.

St Ali's South Yarra Outpost - top photo by Thom Rigney, bottom photos from the St Ali website.

Pt Lonsdale photographed by Shannon McGrath. - LOVE those knitted Urchin poufs by Christien Meindertsma (I think?)... and the brilliant Hay Pinnochio rug! Perfection.

Pt Lonsdale photographed by Shannon McGrath.

Longrain Melbourne - photos by Shannon McGrath


I have been keen to feature prolific Melbourne interior design firm Hecker Phelan & Guthrie on the site for a loooong time. In actual fact, I first contacted HP&G requesting an interview on January 6th this year! This week, director Hamish Guthrie finally got his interview back to me - but of course was most charming and very apologetic about the delay! :) It's been a super busy time - late last year founding partner Kerry Phelan announced her departure from the company after 10 years of partnership, and this year both Paul Hecker and Hamish Guthrie have taken time off to travel, absorbing creative inspiration and gearing up for the challenges ahead. No hard feelings Hamish - it was worth waiting for!

If you've ever been out for a posh dinner in either Sydney or Melbourne, chances are you've come across the work of HP&G. With a particular knack for restaurant and bar interiors, HP&G's work in Melbourne includes Longrain restaurant, Comme, Bistro Guillaume and St Ali's South Yarra Outpost.... and you must have been living under a rock if you haven't seen shots of their INCREDIBLE work for The Ivy in Sydney - with it's lavish bars, restaurants, hotel and penthouse, complete with LA-inspired rooftop pool, striped sun shades and splashes of citrus yellow everywhere. It's sheer, mad Alice in Wonderland genius - and a project only HP&G could have delivered!

A HP&G interior is just fantastically, magically brilliant. It seems nothing is too wacky, too bright or too brave for these guys. HP&G's work is well publicised both here and overseas, and for good reason... each stunning interior bears their distinctive hallmark - and yet no two ever look the same. Their use of colour, pattern and attention to every minute detail truly sets them apart from the crowd.. and makes for a very photogenic portfolio!

It was refreshing to learn that despite their many accolades, HP&G are still a friendly and relatively small company of just 17 staff.... and that although he's known for decadent design at work, Hamish admits that his own home is 'well worn' and far from perfect! Also, generally, I think a lot can be said for a man who takes his dog to work with him everyday...!

Huge thanks to Hamish for his time and for all the fantastic shots... I must also thank Simone at HP&G who facilitated the interview, and has been very sweetly emailing me on a monthly basis since January saying 'we haven't forgotten about you!'. :)

Hamish Guthrie of Hecker Phelan & Guthrie

Tell me a little about your background – what path originally led you to interior design, and to founding Hecker Phelan & Guthrie in 2001?

The genetic offspring of a Dentist and Physiotherapist does not necessarily scream designer! But growing up in an environment which embodied my parents shared passion for the arts and crafts, on a self sustainable bush block on the fringes of Melbourne allowed for plenty of opportunities for a young boy to design, build and break things.

Out of school and not quiet knowing which direction I to head- I was introduced to Architect Daryl Jackson. Daryl showed me a new world of design and architecture and I knew then that this was the path for me.


I completed a bachelor of arts (interior design) at the RMIT in 1993, working part time and holidays for Daryl Jackson Architects along the way and moving into full time employment on graduation.

Whilst at Daryl’s, I was introduced to a clean cut young man from Adelaide in his first job - Paul Hecker. Little did I know he would be my business partner 20 years down the track. After eight years at Daryl Jackson, broken with some international travel along the way, it was time to move on and broaden my design vocabulary in a new environment. Having always admired the work of Paul and Kerry and sensing early on the potential of the practice, I joined Paul and Kerry at Hecker Phelan and eventually joining as a partner of the studio in 2004 and the formation of Hecker Phelan & Guthrie (HP&G).

HPG have won so many accolades and awards for your incredible and varied work over the last 10 years…I know it’s hard to choose favourites - but what have been one or two of your most memorable projects and why?

It’s always hard to play favourites- so I will stick to the more milestone projects; Flagship store for Jigsaw fashion brand Little Collins St (year 2000 - not the current design) – It was the first time I felt that my design ideas were trusted by my employer. There was the freedom to explore new avenues in design and a confidence to bring new ideas to the table. On the photo shoot for this project I met my wife - the architectural photographer Shannon McGrath.

Comme – The opportunity to work on heritage and culturally significant building with a client who knew his trade was irresistible. There was a lot of satisfaction gained through breathing new life and a new energy into this old building as a place of entertainment and pleasure. Certainly there are things that I would do differently if I were to design the space today, but I guess that is the nature of design.



How is the business structured? – how many staff work with you at HPG, and do you and Paul Hecker still play a very hands-on role in the design work and day to day running of the business?

Growing from a small to a medium size studio, it became imperative that we put a structure in place with peoples roles within the studio clearly defined. The appointment of key personnel into the practice has enabled Paul and me to continue to be intimately involved in the design generated out of our office. We oversee all projects through tri weekly design reviews with staff in an informal workshop environment.

There is currently a team of 17 people (+dog) which is a reflection of client demand for our services.

2 Directors
1 Practice
3 admin (PA/media & Communications, Accounts & Office Assistant)

3 senior Design managers

6 interior designers
2 architects

1 office dog- Bergie

HP&G's office building in Cremorne (aka Richmond) - photo by Shannon McGrath

What does a typical day at work involve for you at Hecker Phelan & Guthrie?

Thankfully in our studio there is no such thing as a typical day. The nature of our diverse project work and the continuing evolution of the design office make for an ever changing work day……….. with its fair share of challenges along the way!

With the recent changes at HP&G, Paul and I are truly excited and re- energised about the possibilities of the studio. In addition to the day to day running of the business, and current project work, we are investing a lot of energy into defining the new HP&G and mapping the path for the new HP&G through design and a common goal.


The more typical aspects of my workday may include; Design reviews, hand drawings/ sketches, client meetings, potential client meetings and submissions, site visits, showroom visits as well as the more pragmatic aspects of the business; billing, staff resourcing, programming, fees etc

Bovis Lend Lease building - photos Marcus Clinton

How would you describe your sense of style in your own home?


I would love to be able to tell you that our home is the full embodiment of my work as an interior designer and of my wife as the Interior photographer and stylist. The reality is that it isn’t!

We are currently residing in a well worn Victorian house searching for that complex marriage of ceramic / glassware and a 1 year old child who has just taken to walking!


Our home environment comprises of a collection of furniture, art and objects which are the ‘must haves’, a reflection of our personalities rather than as a response to space. The space will follow.


Where do you turn for creative inspiration – travel, local and international design trends, magazines, books or the web etc?

Having just returned just returned from travels through Copenhagen and Stockholm enroute to the Milan furniture fair, I would have to say that it is travel which is my ultimate source of inspiration. A quick recap of my holiday snaps would confirm that inspiration can be found in many varying places and forms. Not only does it fill your mind with fresh ideas but also validates or re affirms your existing design ideas.

As you mature as a designer and have a clearer sense of your own aesthetic there is a more profound sense of editing the experience as you go, capturing those experience which appeal to your design sensitivities and discounting quickly those that don’t.

Joe Black retail store - photos by Shannon McGrath

Joe Black retail store - photos by Shannon McGrath

Which designers / creative people do you admire?

It’s those people who I have been privileged to have worked for/with over the years. Daryl Jackson who mentored me straight out of school and gave me my first opportunities as a young designer, Jeff Copolov who showed me the possibilities of design during the early days of Crown, Paul Hecker with whom I share an aesthetic kinship and those artists and collaborators- Pandarosa & David Band, who are not only a delight to work with but have brought a new creative energy to a number of our projects.

Farina Kitchen & Bar in Adelaide - featuring wall illustrations by TDF favourite Pandarosa!

What would be your dream creative project?

Marc Newson is probably doing them as we speak! They would involve travel in an exotic location and a creative challenge void of commercial realities.

What are you looking forward to?

Completing my own projects.

Domain Chandon, photographs by Earl Carter

Melbourne Questions -

Your top 3 favourite shops in Melbourne for home furnishings?

Between work commitments and getting out of town on the weekends- I don’t really get many opportunities to shop in Melbourne. Having said that - It is hard to resist those must have items you stumble across in your travels as a designer. Format, Geoffrey Hatty and for my Scandinavian hit - Great Dane and Three Quarters.

Marais retail store in Melbourne, photos by Shannon McGrath


What/where was the last great meal you ate in Melbourne?

Movida Aqui - an Adelaide restauranteur recently took me there for lunch. He took control of the menu and he has a habit of over-ordering. Everything we had was amazing! It’s my style of food- simple ideas executed beautifully.

Where would we find you on a typical Saturday morning?

I would like to say ‘chilling’ at the farm contemplating life’s curiosities but the current reality is working (cleaning bricks chopping wood) at the farm contemplating life’s curiosities.

Melbourne’s best kept secret?

The Botanical gardens at 7am. (I’m the guy pushing the pram, with Bergie the big brown dog) It’s like we have the place to ourselves.

Friday, May 14, 2010

Interview - Scott Weston

Sydney architect Scott Weston

Scott's Redfern home

Scott's Redfern home - brilliant Florence Broadhurst wallpaper!

'Perishable architecture' by Scott Weston Architecture Design for Nokia

Nokia event - featuring beautiful details such as laser-cut leather placemats

Bespoke furniture by SWAD - a custom turned-leg table in tomato red resin and solid timber frame handpainted to match the resin tabletop.

LOVE that table!

For this one I have to thank Jenny Butler (again!). After sharing architect Scott Weston's incredible Sydney home on Apartment Therapy last year, Jenny recently left me a little comment here suggesting an interview with Scott! *Ding* - lightbulb moment! Why did I not think of that before!?

I have admired Scott's work from afar for a long time... perhaps since first spotting his seriously stunning Moroccon-inspired contemporary home renovation/addition for Vogue Editor Kirstie Clements, which featured in Vogue Living a couple of years ago. Truly, 100% AMAZING.

There are so many super brilliant architects out there... and yet so many architecturally-designed homes in Australia end up looking, well... beautiful, but kinda 'samey'. Not so at Scott Weston Architecture Design! Scott and his colleague Gregory Phillips have a distinct edge which always ensures that a SWAD project will look nothing like any other home you've ever seen! Scott and Gregory fill their projects with colour, pattern, and exquisitely designed details - from inspired custom graphics to bespoke cabinetry with pops of hidden vibrant colour. The results are brave and breathtaking every time!

What I love best about Scott's interview is his unique approach to the idea of 'resale value' when designing a home! "Why live in a place tentatively when you can create a home that suits the way you live and reflects an integral part of your personality?" he says. Here here! It's true - so many homes end up looking awfully generic because people are paralyzed by this single factor ...and let's face it, it's going to take more than a pink bathroom to deflate the Australian housing market at the moment!

Huge thanks to Scott for his time with interview, and all the fabulous images. SWAD is a super busy little firm - and yet, Scott always seem to reply to an email within 3 minutes!? Now that really is impressive!

Tell us a little about your background – what path led you to what youʼre doing now?

I grew up in Papua New Guinea in a place called Gordon Estate, where I was schooled with both indigenous and overseas students. My father was a graphic designer and he set up what was a TAFE college to teach locals Graphic Arts, while my mother worked at the DEO (District Education Office) and was a fantastic nurturer.


I suppose as you can see from the outfits that somehow the use of colour and the environment has obviously been intrinsic to what I do now as a professional Architect!


Scott and his sister setting fashion trends in Port Moresby!

From Papua we settled back in Sydney, and eventually I studied at UTS in Sydney, where I did the 6 year part-time course and worked at Alexander & Lloyd in Chatswood, Philip Cox and Partners until I graduated. Graduating with FC Honours, the University Medal, Byera Hadley Travelling Scholarships, Elizabeth Jubilee Trust Fund Scholarship and some others. This enabled me to travel for the next year quite extensively and living for three months in Rome in a monastery studying the works of Bernini - a sculptor and prominent architect of the Roman 'Baroque' period. From there I moved to London and studied at the RCA and lived just off Kensington Square for two full years. While studying I worked in Soho for Terence Conran and Fitch Benoy.

On my return to Sydney I wanted to work for a larger organisation on 'State Projects' to see if I fitted in doing larger scale public buildings, while starting to moonlight on my own personal projects, with eagerness to climb the Sydney real estate ladder! In the early 90's I was awarded the Dulux colour award for 'best residential interior' for my humble inner city flat that I had painted myself, giving me the confidence to pursue my passions.


I received my first comission for Sydney's Medusa Hotel in 1997, so decided to jump ship and go solo. From then until early 2002 I was by myself, knee deep in learning about how to setup a small architectural practice. Gregory Phillips came as a fresh eager just graduated student from COFA who was well rounded in many facets of design, and so we both fitted together quite literally hand in glove. We both brought different talents to the design table and had our own strengths and weaknesses, and from there we have developed a thriving practice that tackles a broad spectrum of design, architecture, furniture and graphics.


My main goals in this profession are to be 'Passionate', have 'Fun', be 'Pragmatic', a 'Maverick', and be very very 'Disciplined'.


What have been one or two of your favourite design projects in recent years?


1. Brad Ngata Hair Salon @ IVY Palings Lane Sydney


A witty, innovative and chic hair salon based on the theatrical re-interpretation of a grand French salon. There are two distinct zones - the cool monastic washing/reception area, & the cutting room that re-interprets Madame Pompadourʼs French apartment, through three metre high digitally printed laminate panels that cocoon and define the space.



An architect-designed large bevelled mirror & console is located at each cutting station. A suspended ceiling of ornate plaster cornices & rosettes house four large pendant lights. A solid timber herringbone floor with a huge pastel pink silk curtain softens the architecturally graphic interior and is framed by a black & pink printed curtain pelmet.

Brad Ngata Hair Salon work in progress and scale model

The salon is screened by a three metre high by eight metre long linear cabinet finished in embossed silver filigree laminate which houses the storage, office & kitchen facilities. The cabinets contain concealed colour and create a visual division between the salon & the glowing white ritual pod.

The ritual room is a white glowing lightbox, cocooned internally in a custom leaf/bluebird graphic laminate, where the client has their hair washed and coloured.


2. Residence for the Editor of Vogue Australia


Contemporary residential architecture often approaches the design of additions to heritage buildings by mimicking it, as modern additions are deemed by council to be ʻout of characterʼ to the existing building.


In this project a clear distinction is made between the old and the new, but the two sit harmoniously together. The ʻoldʼ retains its period features and illustrates the moment in time in which it was designed and built. The ʻnewʼ addresses the functional requirements of a modern family home and the responsibilities of a modern piece of domestic architecture with regard to habitability & sustainability.


The philosophy was to examine traditional Moroccan decorative tiling patterns and architectural forms, and reinterpret those ideas in a simple contemporary way. Continuous linear forms, curved shapes & strong grids formed the backdrop to then apply the in-built architectural decorative quality & colour throughout home.


Vogue editor Kirstie Clements with Scott and Gregory in her stunning SWAD-designed home

Kirstie Clement's bathroom - WOWOWOW.

The methodology was similar to the crafts based culture we were drawing reference from - to elevate humble materials & finishes such as glazed tiles, and produce repetitive patterns that could be applied to walls floor & ceilings. We also used new materials such as opal acrylic and laser cut graphic vinyl to this effect.

Incredible use of pattern in Kirstie Clement's Home - and how about those custom BALUSTRADES...? Genius.

More balustrades. Because they deserve they own photo.

You work on an incredible variety of projects – from residential to commercial, retail, institutional.. as well as temporary structures and even custom graphics / cabinetry! What is your favourite type of work to do? Is there any job you would decline?

Being a multi-disciplinary architectural practice, we tend to attract quite a range of projects. Each client brief is so unique - we never rest on laurels, we're always striving to explore, testing ourselves and our skills to achieve the best we can possibly deliver for each and every person. So the most current projects are probably our favourite, as the things we have previously learnt can be put into immediate practice.


When a potential client interviews us we also are also interviewing them. We gain an insight into the compatibility of being able to work with them as a team player. Some projects may take up to two years to complete and it is imperative
that you have a trustworthy and fun working relationship!

Bespoke cabinet for Judi Hausmann in walnut, with each compartment in a different lacquered finish.

How would you describe the Scott Weston design aesthetic? Is this a good reflection of your personal sense of style in your own home?

An architect who straddles the great divide between functionality and decorative embellishment. Why can't architectural solutions be chameleon-like, bespoke, functional and dramatic? I have never understood the undue influence of resale value on the design of a home. A lot of homes end up looking incredibly generic because people think the house will eventually be re-sold and theyʼre worried their aesthetic preferences might not appeal to a potential buyer.


I disagree with this approach. Why live in a place tentatively when you can create a home that suits the way you live and reflects an integral part of your personality? I believe that it is possible to embrace the architectural and the decorative simultaneously.


The application of colour on a project is an extremely intuitive solution and yet most of the time a client would never consider this to be a main deciding factor in how they want to function and relax.


Colourful SWAD bathrooms! (the tiny mosaic tiled examples are from Scott's own home)

The ability to invent and be playful with colour is a major component of our practice. Colour comes in many forms and finishes within the building industry. Every project we work on has a unique client, brief, location, site, budget limitations - and from that we generate our concepts or concept box. It is at this moment in time that we incorporate colour into the architectural framework and seduce our client.

We practice what we preach and my home is just as unique and singularly crafted as what I would provide to my clients.


Scott's Redfern home

Scott's Redfern home

What does a typical day at work involve for you?

Gregory and I have a verbal meeting and we address immediate and long-term issues every morning. We carve up the task sheet - from high through to low priority, and put our nose to the grindstone.


Itʼs a bit like a juggling act where we have a conveyor belt of projects on at various stages of concept design, documentation, construction, photo shoots, client entertaining and PR.


Elizabeth Bay apartment - scale model and finished bedroom.

Where do you turn for creative inspiration – books, international magazines, the internet, your environment, travel, nature, family or friends… etc?

I have been trained as an architect to look at details, how things are placed or brought together. So my inspiration comes from the everyday experience of interacting with people and places. It enables me to look at the past, present and absorb what has already been done and reinvent those ideas into my own world. However, when I let my imagination run wild, these are the three places I draw inspiration from.


1. Hong Kong for its vibrancy, frenetic nature and its ability to reinvent itself.


2. The inner child within, as I believe you need to hold on tight to your aspirations, beliefs and that inner core of confidence.


3. ‘Architecture is the mother of all arts and also the noblest of them all’ - however, art galleries, design centres, musical and drama houses are places that I draw inspiration from.


Which other designers, artists or creative people are you most inspired by at the moment?


I draw inspiration
from these following things;

1. From building abstract concept models based on the client brief.


2. Listening to the client and how they want to live and function.


3. Visual stimulus from books, magazines, client interests, sojourns overseas

and day trips to intriguing suburbs such as Cabramatta.

4. From listening to one another and not assuming how something should be.


What are you most proud of professionally?


The long established list of clients that I call friends who I still do work for and have developed a trusting relationship with. Without that trusting relationship you have nothing!


What would be your dream project?


My next home - a kind of bespoke magicians box that does not give away all itʼs secrets at once but where I can utilise all the learnt skills and trades people I have around me to create a thing of great beauty and functionality.

What are you looking forward to?

New identical twin terraces being built in Redfern 2011.


Construction commencing 17th May 2010 for alterations and additions to a Rozelle workerʼs cottage for a young family.


Architectural interiors with bespoke joinery for an Art Deco Apartment for the media personality Deborah Thomas.


Having our latest commercial project ʻOpen Hausʼ being selected for the May cover of (inside) Interior Design Review.


Providing Perishable Architecture to Harperʼs Bazaar Magazine.


SWAD's latest commercial project, 'Open Haus'.

Sydney Questions -

Your favourite Sydney neighbourhood and why?


My favourite suburb is split between the suburb of where I live Redfern and Cabramatta. Why? The multi-cultural profile and our village-like community... the proximity to walk into the city from Redfern and the journey I take to get to Cabramatta. The mixture of art galleries, cafes, and local providores.


Your most admired architectural icon in Sydney?


Wylde Street Apartments. Inter-War Art Deco grand sweeping façade of a building at 17 Wylde Street Potts Point, designed by Aaron Bolot between 1948-51. Beautifully detailed and functionally planed apartments that offer cross ventilation, great views and compact living spaces that still set a benchmark in high density residential dwelling.


The best bookstore in Sydney for design / reference books etc?


Ariel’ in Oxford Street Paddington, ‘Lamella’ in Bourke Street Redfern, Kinokuniya Bookstore in Sydney CBD.


Where / what was the last great meal you ate in Sydney?


Sailors Thai ʻNoodle Barʼ restaurant at the Rocks Sydney, massaman beef curry, green papaya salad, deep-fried whole fish on a bed of deep fried seaweed in lemon and lime juice, boiled rice and a bottle of New Zealand Marlborough Sauvignon Blanc.


Where would we find you on a typical Saturday morning?


After fruit spelt sourdough toast and fresh fruit and museli I normally go for a two/three-hour
walk that depends on what suburb I want to explore and what restaurant is in that vicinity for the all important grazing at lunch time.


Sydneyʼs best kept secret?


It would have to be split between two suburbs - Auburn and Cabramatta, both for the exotic cultural mix of people and the fresh produce I can purchase while enjoying a fantastic lunch.

Thursday, December 17, 2009

Dead Man Espresso

Dead Man Espresso in South Melbourne - these shots kindly supplied by Brad Dunn

Top image - Volker Haug lights (photo by me), bottom image - Dead Man proprietor and coffee afficionado Luke Mutton (photo by Brad Dunn)

Dead Man Espresso is South Melbourne's newest coffee haunt, and I must say it is rather fabulous. I LOVE the architecture of the building - those sleek timber screens and louvered shutters are so beautiful :) (The building was designed and built by Momentum Builders whose offices are on the second floor).

Dead Man proprietors Luke Mutton and partner Kylie Mackinilay used to work at nearby St Ali before going out on their own, and are still great mates with Melbourne's coffee king Mark Dundon (now of Seven Seeds and Brother Baba Budan). Dead Man also serves Seven Seeds coffee (of course!)

One other little detail to point out is Dead Man's stellar logo - understated yet edgy, it is, unsurprisingly, the work of Sydney graphic superstars We Buy Your Kids! NICE work.

Dead Man Espresso identity by WBKY - awesomeness.

Anyway, you should totally pop in for a coffee next time you're in South Melbourne. But don't take my word for it - take Matt Preston's!

LOVE the screening on the facade of the building and those louvered shutters on a pulley-system!? Fabulous.

Dead Man Espresso bike rack. Very NYC :)

Wednesday, December 2, 2009

Lulamae pop-up shop in Melbourne Central - by Breathe Architects



Just can't get enough of the pop-up shop at the moment can we? Brunswick-based Breathe Architects have just designed this fabulous one for fashion boutique Lulamae, which just popped up in Melbourne Central this week. Very cute! I really love the tall buildings drawn on the exterior, and the cut-out windows!

On closer inspection, Breathe Architects have a lot of great and quite varied work to their name - including everyone's favourite 'not-so-secret-anymore' cafe - Seven Seeds, and it's smaller CBD sibling, Brother Baba Budan.

OH and they also have a ridiculously cute website.


The fabulous Seven Seeds in Carlton


Monday, November 30, 2009

The Cullen



Melbourne's newest boutique hotel - The Cullen

Did you know that Melbourne has a new designer boutique hotel? Must admit this one kind of crept up on me... I had heard whispers... but didn't realise The Cullen opened this month!

The Cullen
is a $48 million(!!), 115-room hotel, and is the first in a series of six proposed Art Series Hotels - a $300 million hotel group conceived by property developer Will Deague. Each hotel is inspired by and named after a prominent Australian Artist - The Cullen takes its name and inspiration from artist Adam Cullen.

Adam Cullen is one of Australia's most collectible artists, and is best known for winning the Archibald prize in 2000 with a portrait of David Wenham. Seven of Cullen's large-scale artworks grace the walls of the hotel foyer, other works and digital prints feature elsewhere in the hotel, and glass screens in each room are watermarked with Cullen's drawings. Each room also features designer details including Kartell ghost chairs and glossy design book! And apparently the hotel also has bikes and smart cars decorated with Cullen's work for guests to hire. Ooh la la!

Well I must say, I think Melbourne is sorely lacking in the boutiqe hotel department. Although I am not sure if a 6-storey, 115 room hotel counts as 'boutique'. Anyway, it looks pretty snazzy, and it doesn't seem too expensive. It'll be interesting to see how the other 5 Art Series Hotels unfold. Next in line is The Olsen in South Yarra, named after celebrated painter John Olsen, which is due to open its doors in March.